top of page

Recordings

Aria: How beautiful it is from Britten's The Turn of the Screw 

The Governess's Aria from the haunting opera based on the novel by Henry James. The Governess is beginning to feel at home in her new job until she spots a strange figure in the tower.

​

Louise Fuller, Soprano

Florent Mourier, Pianist

Videography and Editing Joe Bolger

July 2023

Aria: S'altro che lacrime from Mozart's La Clemenza di Tito

Servilia tries to reason with Vitellia, who is wracked with guilt that she has caused Sesto's death sentence. Servilia urges her to take action as her tears alone are useless.

Louise Fuller, Soprano

Florent Mourier, Pianist

Videography and Editing Joe Bolger

July 2023

French Song Masterclass with Dame Felicity Lott at Wigmore Hall

French Song Masterclass with Dame Felicity Lott at Wigmore Hall as part of Wigmore Hall’s Academy of French song: The French Song Exchange, in partnership with the École Normale de Musique de Paris with Dame Felicity Lott and Francois la Roux

​

Gabriel Fauré Soir Op. 83 No. 2

Claude Debussy De rêve from Proses lyriques

​

Pianist Sebastian Wybrew

Aria: Che Fiero Momento from Glück's Orfeo Ed Euridice

A recording by Jan Capinski

​

Pianist Ian Tindale

Aria: 'Je Veux Vivre' from Gounod's Roméo et Juliette

A recording with Garsington Opera as part of the Alvarez Young Artist Programme 2021

​

Pianist Dylan Perez

Aria: 'Adieu Notre Petite Table' from Massenet's Manon

A recording with Garsington Opera as part of the Alvarez Young Artist Programme

​

Pianist Ashley Beauchamp

The Two Sisters, a short opera by Algirdas Kraunaitis

A recording of a live streamed performance at the Royal College of Music of  'Crime and Punishment', a set of six 'mini' operas performed in collaboration Tête à Tête

​

Music: Algiradas Kraunaitis Words: Grace Lee-Khoo Director: Bill Bankes-Jones Conductor: Lionel Friend Designer: Sarah Booth Lighting designer: Ralph Stokeld

 

Grace: Louise Fuller Judith: Ashlyn Tymms Edward: Thomas Erlank Martha: Carly Owen Absalom: Timothy Edlin

bottom of page